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 Color code: Processing was used to arrange the colors using simple variables and numerical sequencing. At left are four color arrays. Each strip begins with a direct color print of ink that has been floated on water. The ink is sampled by the computer code multiple times and redistributed into a new sequence. The code allows the color to be cut into an infinite number of thin slices - something the Suzhou embroiderers’ could not do.
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 | MORAINE PROJECT CREDITS   | Design:  Rhett Russo  in collaboration with  Katrin Mueller - Russo  | Coding and digitizing:  Rhett Russo  | Embroidery by  Sonny  | 2011 |
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